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Monday, October 24, 2016

Swiss billionaire fined $4 mn over undeclared artwork: reports

In one case detailed in Sunday's articles, he purchased a Giovanno Segantini painting, "Le due madri", for 1.4 million Swiss francs at a Christie's auction in Geneva in 2011, and quickly flew it to Britain, thus avoiding Swiss taxation.

GENEVA (AFP).- Swiss customs authorities have slapped a billionaire with a $4 million fine for failing to properly declare some 200 artworks imported into Switzerland, according to media reports confirmed by officials Sunday. Financier Urs Schwarzenbach has for years been bringing precious artworks by the likes of Yves Klein and Giovanno Segantini into Switzerland without declaring them to customs officials, or reporting their worth at far below their actual value, several Swiss media outlets reported. Suspecting the billionaire of importing artwork illegally, Swiss customs authorities opened an investigation in 2012. The probe concluded earlier this month that he had effectively dodged duties worth 10 million Swiss francs ($10 million, 9.2 million euros), which he was ordered to repay, along with a four million franc fine, the NZZ am Sonntag, Sonntagszeitung and Le Matin Dimanche weeklies reported. Swiss finance ministry spokesman Daniel Saameli confirmed the content of the reports to AFP.

According to the papers, Schwarzenbach has agreed to pay back the 10 million francs, but is contesting the fine. The 68-year-old's lawyers in London told the papers he denied any intentional wrongdoing, and wanted to present his side of the story to the district court in Zurich to clear his name. Schwarzenbach, who is based in Britain and is reportedly a good friend of Prince Charles, had brought at least 123 works of art into Switzerland without declaring them, with some ending up on the walls of his luxury Zurich Dolder Grand hotel, the papers said.

Fake receipts: In one case detailed in Sunday's articles, he purchased a Giovanno Segantini painting, "Le due madri", for 1.4 million Swiss francs at a Christie's auction in Geneva in 2011, and quickly flew it to Britain, thus avoiding Swiss taxation. But the painting reportedly reemerged in his luxurious Villa Meridiana in St. Moritz in the Swiss Alps, without him ever paying duties on it. Other artworks reportedly brought in under the radar include a painting by Russian geometric abstract artist Kazimir Malevich, valued at 16 million francs, and Yves Klein's MG41 (L'age d'or), the papers said. When he did declare artwork, Schwarzenbach, whose fortune was valued last year by Swiss financial magazine Bilanz at 1.25 billion Swiss francs, sometimes reportedly presented fake receipts for amounts far lower than what he had actually paid.

On June 16, 2012 he is alleged to have presented Gottardo Segantini's "Paysage alpin" to Swiss customs officials along with a receipt for just 10,000 francs. That is less than a tenth of the 105,000 euros he actually paid for the piece, the papers reported. In all, the case concerns more than 200 works of art, with a combined value of at least 130 million francs, they said.

© 1994-2016 Agence France-Presse http://artdaily.com/news/91062/Swiss-billionaire-fined--4-mn-over-undeclared-artwork--reports#.WA4dTy0rKUk

Tuesday, October 11, 2016

Two busts whose faces were hammered away by Isis members at Palmyra's Museum

A picture shows a part of two busts whose faces were hammered away by Isis members at Palmyra's Museum in Syria, as part of an exhibition called "Rising from Destruction Ebla, Nimrod, Palmyra" presented at the ancient Colosseum, on October 6, 2016 in Rome. ANDREAS SOLARO / AFP

http://artdaily.com/?date=10/10/2016&bfd=0

Dutch city of Hoorn celebrates as five stolen masterpieces return home

Musicians in period costumes perform as two employees carry a big box with paintings during a ceremony in which five paintings, stolen from the Westfries museum in Friesland, northwest of the Netherlands, return from Ukraine in Hoorn on October 7, 2016. Olaf KRAAK / ANP / AFP.
by Jan Hennop


HOORN (AFP).- The Dutch city of Hoorn erupted with joy Friday as it welcomed back five masterpieces recovered from a "criminal group" in Ukraine after being snatched from the town's museum in 2005. "After 4,320 days... yes we counted the days... they are back!" an emotional museum director Ad Geerdink told hundreds of citizens who gathered at the Westfries Museum as the 17th and 18th-century paintings were unloaded from a truck. "Our heritage has returned to the museum where they belong, back in the city where they belong," Geerdink said as the crowd cheered and clapped. The five paintings were among 24 Dutch Golden Age masterpieces and 70 pieces of silverware stolen from the museum in the northwest city on January 9, 2005. At the time of their disappearance, the 24 paintings were valued at a total of around 10 million euros ($11 million).

One of the recovered works, Isaak Ouwater's 1784 piece entitled "Nieuwstraat in Hoorn", valued at around 30,000 euros, was handed back by an unsuspecting Ukrainian art buyer in May. But details over how the painting came into his possession remain vague. The four other retrieved paintings, which were also found in Ukraine, are: "A Peasant Wedding" by Hendrick Boogaert, "Kitchen Scene" by Floris van Schooten, "Return of Jephta" and "Lady World" by Jacob Waben.

'Terrible condition' The museum has now launched a crowdfunding campaign to restore the five works, as spokeswoman Christa van Hees said they "have suffered a lot" in the past decade and "are in a terrible condition." Two of the paintings had been put back in frames, with lines clearly visible where they have been folded, an AFP reporter saw. The other canvases were still rolled up, but showed signs of cracks and paint was flaking off. "I can't say how long it will take, but the aim is to have all of the paintings hanging in the museum within half a year," Ronald de Jager, who is tasked with the restoration, told AFP.

After the theft there was an intensive police investigation, but it was not until mid-2015 that the museum heard five paintings might be in Ukraine. Two men claiming to represent a pro-Kiev group said they had found them in a villa in war-torn eastern Ukraine, where Kiev's forces were battling pro-Russian separatists. Art historian Arthur Brand, who played a major role in the paintings' return, said the men initially priced the works at 50 million euros and then wanted five million euros for them. "We were only prepared to give then 50,000 euros, which is a finders' fee," Brand told AFP. So the negotiations collapsed.

Details remain unclear about the next moves, but after intense behind-the-scenes work involving Brand and the Hoorn municipality, Ukraine announced in April it had recovered four of the paintings. It did not specify how the works were retrieved, saying only they had been "in the possession of criminal groups". "What's more important is that we at least have some of them back," the museum's ticket sales manager, Karin van Hoorn, told AFP. "When I saw them for the first time, a short while ago I was so overwhelmed I almost started crying." The search continues for the works still missing. "We are doing everything possible to get the other 19 paintings and our silverware back too," said Hoorn city council member Judith de Jong.

© 1994-2016 Agence France-Presse http://artdaily.com/news/90668/Dutch-city-of-Hoorn-celebrates-as-five-stolen-masterpieces-return-home#.V_1qMsmk374

Friday, August 19, 2016

Naked Trump leaves NY in giggles until demolished

A passerby has a picture taken with a statue depicting republican presidential nominee Donald Trump in the nude on August 18, 2016 in San Francisco, United States. Anarchist collective INDECLINE has created five statues depicting Donald Trump in the nude and placed them in five U.S. cities on Thursday morning. The statues are in San Francisco, New York, Los Angeles, Cleveland and Seattle. Justin Sullivan/Getty Images/AFP.

NEW YORK (AFP).- A naked statue of Donald Trump, complete with bulging belly and elaborate yellow hair, caused laughter and merriment in New York Thursday until it was ripped up by park wardens. Hands clasped across ample belly, the sculpture was unveiled in Union Square, gazing out across the busy street with an engraved plaque saying "The Emperor Has No Balls," witnesses said.

Indecline, a California-based company, released a video on their website showing a naked statue of the controversial Republican presidential nominee being made. But New York's department of parks and recreation was unimpressed. Wardens ripped the statue from its base, then used spades to smash its feet and foam base to smithereens, and pry its metal platform from the ground. "Parks has removed the sculpture," a spokesperson for the city's department of parks and recreation told AFP. "The installation of any unapproved structure or artwork in a city park is illegal."

Throughout the morning, passers-by stopped to take photographs, pose for selfies or laugh at the depiction of the New York billionaire. "It was funny. Everybody was just over here laughing and taking pictures," said Rahshawn Gilmore, 22, who works in a nearby store. "It was amazing." Gilmore said he did not find it offensive, but admitted some might given that children were "roaming around." "You could see his personal bits," he explained. "That was great craftsmanship, because they're having a hard time taking that apart," he added, breaking into giggles.

Peri Fisher, 48, a representative for an electronics company, said she was pleased to see a male politician "for a change" being judged on his appearance and criticized the decision to break it up. "Personally I think Trump is insane and not fit to be president, not that (Democratic rival) Hillary Clinton really is either, but she's the lesser of two evils," she said. "Right or wrong people have the right to put it up there. He's a public figure -- public figures are open to mockery. This was a mockery. It's just part of the American way of life," Fisher added.

© 1994-2016 Agence France-Presse http://artdaily.com/news/89632/Naked-Trump-leaves-NY-in-giggles-until-demolished#.V7ciq6LN774

Thursday, August 18, 2016

US places import restrictions to protect Syrian artifacts

The Islamic State group has ravaged ancient archeological sites under its control in Syria and Iraq. AFP PHOTO / JOSEPH EID.

WASHINGTON (AFP).- The United States announced emergency import restrictions Wednesday on Syrian artifacts in response to looting of the country's cultural heritage in the midst of a brutal civil war. The Islamic State group has ravaged ancient archeological sites under its control in Syria and Iraq, along with local looters. Among the worst incidents was the destruction by IS of temples in the famed ancient city of Palmyra, which provoked international outrage. "These import restrictions are intended to reduce the incentive for pillage to better preserve Syria's cultural heritage and to combat profiting from the sale of these artifacts by terrorists and criminal organizations," the US State Department said. "Preserving the cultural heritage of Syria will be a vital component in shaping a future for the country based on reconstruction, reconciliation and building civil society."

The restrictions were published by US Customs and Border Protection, the Department of Homeland Security and the Treasury Department. They apply to any cultural property "unlawfully removed" from Syria from March 15, 2011, when the conflict began. This includes objects of stone, metal, ceramic, clay and faience objects, wood, glass, ivory, bone and shell, plaster and stucco, textile, parchment, paper and leather, paintings and drawings, mosaic and writing.

In the IS group's extreme interpretation of Islam, statues and shrines amount to idolatry and must be destroyed. But the group is also believed to have benefited from the trafficking of antiquities seized from sites under its control. In Syria, more than 900 monuments and archeological sites have been affected, damaged or destroyed by the regime, rebels or jihadists since the conflict began in March 2011, according to the Association for the Protection of Syrian Archeology. Between 2014 and 2015, Syria's antiquities department moved some 300,000 objects and thousands of manuscripts from across Syria into storage in Damascus.

© 1994-2016 Agence France-Presse http://artdaily.com/news/89610/US-places-import-restrictions-to-protect-Syrian-artifacts#.V7XjeKLN774

Monday, August 8, 2016

500-year-old German engraving by Albrecht Durer surfaces at French flea market

A retired French archaeologist noticed the work on a bric-a-brac stand in Sarrebourg in eastern France, after the seller cleared it out of a house in the town.

BERLIN (AFP).- Long-dead German artist Albrecht Durer is causing a stir after a collector donated a lost work, bought for a few euros on a French flea market, to a Stuttgart museum. The bronze engraving titled "Mary crowned by an angel" dates back to the year 1520, Anette Frankenberger of the Staatsgalerie art museum told AFP on Friday, and is in "very good condition". A retired French archaeologist noticed the work on a bric-a-brac stand in Sarrebourg in eastern France, after the seller cleared it out of a house in the town. Alerted by his keen eye, he quickly bought the piece -- only to find the stamp of the Staatsgalerie on its back and decide to donate it anonymously.

The man came "personally with his wife" to return the engraving, which had been missing since the end of World War II, Frankenberger said. The museum spokeswoman added that the piece had likely been wrapped in paper for some of the intervening decades, keeping it in good condition. It was owned by a former deputy mayor of Sarrebourg before ending up at the second-hand stall, she said. The museum has not yet decided how to put the engraving on display. "We have to find the right setting to present it in," Frankenberger said. Durer was born in 1471 in the southern German city of Nuremberg and travelled through Italy, becoming one of the first artists to introduce the Renaissance in Germany and northern Europe.

© 1994-2016 Agence France-Presse http://artdaily.com/news/89294/500-year-old-German-engraving-by-Albrecht-Duerer-surfaces-at-French-flea-market#.V6jvWaLN774

At ancient Syria site, IS discovers then destroys treasures

A picture taken on August 3, 2016 shows the Tal Ajaja archeological site in Syria's northeastern Hassakeh province. When the Islamic State group captured Tal Ajaja, one of Syria's most important Assyrian-era sites, they stripped it of millenia-old statues and cuneiform tablets that even archeologists had not uncovered. Ayham al-Mohammad / AFP. by Ayham al-Mohammad

TAL AJAJA (AFP).- When the Islamic State group captured Tal Ajaja, one of Syria's most important Assyrian-era sites, they discovered previously unknown millennia-old statues and cuneiform tablets, and then they destroyed them. The extremist group, which has ravaged archeological sites under its control in Syria and Iraq, was chased from Tal Ajaja in northeastern Hasakeh province in February by Kurdish fighters. But the destruction IS wrought there over two years remains. Perched on a large hill around 50 kilometres (30 miles) from the Iraqi border, the site is now a vision of desolation, riven with long tunnels. Fragments of broken artifacts are strewn throughout and large holes dug by looters pockmark the ground. The Assyrian empire, with its capital in Nineveh in modern-day Iraq, flourished in the first millennium BC. It produced celebrated artifacts, particularly bas-reliefs often depicting scenes of war. "Tal Ajaja, or ancient Shadikanni, was one of the main cities of Assyria," said Cheikhmous Ali of the Association for the Protection of Syrian Archeology.

Most of the known treasures of Tal Ajaja, discovered in the 19th century, had long been removed and placed in museums in Syria or abroad. But the jihadists, as well as local looters, dug up artifacts that archeologists had not yet uncovered, destroying or trafficking priceless pieces. "They found items that were still buried, statues, columns. We've lost many things," lamented Maamoun Abdulkarim, head of Syria's antiquities department.

'Barbarians' "More than 40 percent of Tal Ajaja was destroyed or ravaged by IS," added Khaled Ahmo, director of the antiquities department in Hasakeh. "The tunnels that were dug destroyed invaluable archeological strata" that would have revealed the economic, social and political history of the era, he told AFP. In IS's extreme interpretation of Islam, statues, idols and shrines amount to recognising objects of worship other than God and must be destroyed. But the group is also believed to have benefited from the trafficking of antiquities seized from sites under its control.

In 2014, photos emerged of sledgehammer-wielding jihadists destroying Assyrian statues from Tal Ajaja dating back to 2,000-1,000 BC. "These barbarians have burnt pages of Mesopotamia's history," said Abdulkarim. "In two or three months, they wiped out what would have required 50 years of archeological excavations," he added. In 2014, the antiquities department on its website published a series of photos of items from Tal Ajaja that had been destroyed, including cuneiform tablets and bas-relief depictions of the lamassu -- the famous winged Assyrian deity. The lamassu is a creature from Mesopotamian mythology, often depicted with a human head, the body of a lion or bull, and the wings of an eagle. Though traditionally considered protectors and placed outside temples to guard them, the lamassu of Tal Ajaja were unable to escape IS's ravages.

'Cultural cleansing' "IS turned the hilltop into a military zone," said local resident Khaled, who spoke on condition a pseudonym be used because he still fears IS might return. "No one was allowed to enter the site without authorisation," he added. "Hordes of armed men came in, along with traffickers of archeological objects," added another resident, Abu Ibrahim. Tal Ajaja was also known by the name Tal Araban in the Islamic era. But "even the upper strata dating back to that era were razed," said Ahmo. Abdulkarim said numerous artifacts from the site were smuggled to neighbouring Turkey and on to Europe, adding that he had alerted Interpol in a bid to retrieve some of the items. Since its rise in 2014, IS has ravaged numerous archaeological sites in Iraq, including the ancient Assyrian city of Nimrud, provoking outrage. The UN cultural organisation has described the jihadists' actions as "cultural cleansing".

In Syria, more than 900 monuments and archeological sites have been affected, damaged or destroyed by the regime, rebels or jihadists since the conflict began in March 2011, according to the Association for the Protection of Syrian Archeology. Among the worst incidents was the destruction by IS of temples in the famed ancient city of Palmyra, which provoked international outrage. Between 2014 and 2015, Syria's antiquities department moved some 300,000 objects and thousands of manuscripts from across Syria into storage in Damascus. But Abdulkarim has watched in horror as sites are laid waste by war and looters. "Our heritage is hemorrhaging."

© 1994-2016 Agence France-Presse http://artdaily.com/news/89351/At-ancient-Syria-site--IS-discovers-then-destroys-treasures-#.V6ixuKLN774