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Friday, August 19, 2016

Naked Trump leaves NY in giggles until demolished

A passerby has a picture taken with a statue depicting republican presidential nominee Donald Trump in the nude on August 18, 2016 in San Francisco, United States. Anarchist collective INDECLINE has created five statues depicting Donald Trump in the nude and placed them in five U.S. cities on Thursday morning. The statues are in San Francisco, New York, Los Angeles, Cleveland and Seattle. Justin Sullivan/Getty Images/AFP.

NEW YORK (AFP).- A naked statue of Donald Trump, complete with bulging belly and elaborate yellow hair, caused laughter and merriment in New York Thursday until it was ripped up by park wardens. Hands clasped across ample belly, the sculpture was unveiled in Union Square, gazing out across the busy street with an engraved plaque saying "The Emperor Has No Balls," witnesses said.

Indecline, a California-based company, released a video on their website showing a naked statue of the controversial Republican presidential nominee being made. But New York's department of parks and recreation was unimpressed. Wardens ripped the statue from its base, then used spades to smash its feet and foam base to smithereens, and pry its metal platform from the ground. "Parks has removed the sculpture," a spokesperson for the city's department of parks and recreation told AFP. "The installation of any unapproved structure or artwork in a city park is illegal."

Throughout the morning, passers-by stopped to take photographs, pose for selfies or laugh at the depiction of the New York billionaire. "It was funny. Everybody was just over here laughing and taking pictures," said Rahshawn Gilmore, 22, who works in a nearby store. "It was amazing." Gilmore said he did not find it offensive, but admitted some might given that children were "roaming around." "You could see his personal bits," he explained. "That was great craftsmanship, because they're having a hard time taking that apart," he added, breaking into giggles.

Peri Fisher, 48, a representative for an electronics company, said she was pleased to see a male politician "for a change" being judged on his appearance and criticized the decision to break it up. "Personally I think Trump is insane and not fit to be president, not that (Democratic rival) Hillary Clinton really is either, but she's the lesser of two evils," she said. "Right or wrong people have the right to put it up there. He's a public figure -- public figures are open to mockery. This was a mockery. It's just part of the American way of life," Fisher added.

© 1994-2016 Agence France-Presse http://artdaily.com/news/89632/Naked-Trump-leaves-NY-in-giggles-until-demolished#.V7ciq6LN774

Thursday, August 18, 2016

US places import restrictions to protect Syrian artifacts

The Islamic State group has ravaged ancient archeological sites under its control in Syria and Iraq. AFP PHOTO / JOSEPH EID.

WASHINGTON (AFP).- The United States announced emergency import restrictions Wednesday on Syrian artifacts in response to looting of the country's cultural heritage in the midst of a brutal civil war. The Islamic State group has ravaged ancient archeological sites under its control in Syria and Iraq, along with local looters. Among the worst incidents was the destruction by IS of temples in the famed ancient city of Palmyra, which provoked international outrage. "These import restrictions are intended to reduce the incentive for pillage to better preserve Syria's cultural heritage and to combat profiting from the sale of these artifacts by terrorists and criminal organizations," the US State Department said. "Preserving the cultural heritage of Syria will be a vital component in shaping a future for the country based on reconstruction, reconciliation and building civil society."

The restrictions were published by US Customs and Border Protection, the Department of Homeland Security and the Treasury Department. They apply to any cultural property "unlawfully removed" from Syria from March 15, 2011, when the conflict began. This includes objects of stone, metal, ceramic, clay and faience objects, wood, glass, ivory, bone and shell, plaster and stucco, textile, parchment, paper and leather, paintings and drawings, mosaic and writing.

In the IS group's extreme interpretation of Islam, statues and shrines amount to idolatry and must be destroyed. But the group is also believed to have benefited from the trafficking of antiquities seized from sites under its control. In Syria, more than 900 monuments and archeological sites have been affected, damaged or destroyed by the regime, rebels or jihadists since the conflict began in March 2011, according to the Association for the Protection of Syrian Archeology. Between 2014 and 2015, Syria's antiquities department moved some 300,000 objects and thousands of manuscripts from across Syria into storage in Damascus.

© 1994-2016 Agence France-Presse http://artdaily.com/news/89610/US-places-import-restrictions-to-protect-Syrian-artifacts#.V7XjeKLN774

Monday, August 8, 2016

500-year-old German engraving by Albrecht Durer surfaces at French flea market

A retired French archaeologist noticed the work on a bric-a-brac stand in Sarrebourg in eastern France, after the seller cleared it out of a house in the town.

BERLIN (AFP).- Long-dead German artist Albrecht Durer is causing a stir after a collector donated a lost work, bought for a few euros on a French flea market, to a Stuttgart museum. The bronze engraving titled "Mary crowned by an angel" dates back to the year 1520, Anette Frankenberger of the Staatsgalerie art museum told AFP on Friday, and is in "very good condition". A retired French archaeologist noticed the work on a bric-a-brac stand in Sarrebourg in eastern France, after the seller cleared it out of a house in the town. Alerted by his keen eye, he quickly bought the piece -- only to find the stamp of the Staatsgalerie on its back and decide to donate it anonymously.

The man came "personally with his wife" to return the engraving, which had been missing since the end of World War II, Frankenberger said. The museum spokeswoman added that the piece had likely been wrapped in paper for some of the intervening decades, keeping it in good condition. It was owned by a former deputy mayor of Sarrebourg before ending up at the second-hand stall, she said. The museum has not yet decided how to put the engraving on display. "We have to find the right setting to present it in," Frankenberger said. Durer was born in 1471 in the southern German city of Nuremberg and travelled through Italy, becoming one of the first artists to introduce the Renaissance in Germany and northern Europe.

© 1994-2016 Agence France-Presse http://artdaily.com/news/89294/500-year-old-German-engraving-by-Albrecht-Duerer-surfaces-at-French-flea-market#.V6jvWaLN774

At ancient Syria site, IS discovers then destroys treasures

A picture taken on August 3, 2016 shows the Tal Ajaja archeological site in Syria's northeastern Hassakeh province. When the Islamic State group captured Tal Ajaja, one of Syria's most important Assyrian-era sites, they stripped it of millenia-old statues and cuneiform tablets that even archeologists had not uncovered. Ayham al-Mohammad / AFP. by Ayham al-Mohammad

TAL AJAJA (AFP).- When the Islamic State group captured Tal Ajaja, one of Syria's most important Assyrian-era sites, they discovered previously unknown millennia-old statues and cuneiform tablets, and then they destroyed them. The extremist group, which has ravaged archeological sites under its control in Syria and Iraq, was chased from Tal Ajaja in northeastern Hasakeh province in February by Kurdish fighters. But the destruction IS wrought there over two years remains. Perched on a large hill around 50 kilometres (30 miles) from the Iraqi border, the site is now a vision of desolation, riven with long tunnels. Fragments of broken artifacts are strewn throughout and large holes dug by looters pockmark the ground. The Assyrian empire, with its capital in Nineveh in modern-day Iraq, flourished in the first millennium BC. It produced celebrated artifacts, particularly bas-reliefs often depicting scenes of war. "Tal Ajaja, or ancient Shadikanni, was one of the main cities of Assyria," said Cheikhmous Ali of the Association for the Protection of Syrian Archeology.

Most of the known treasures of Tal Ajaja, discovered in the 19th century, had long been removed and placed in museums in Syria or abroad. But the jihadists, as well as local looters, dug up artifacts that archeologists had not yet uncovered, destroying or trafficking priceless pieces. "They found items that were still buried, statues, columns. We've lost many things," lamented Maamoun Abdulkarim, head of Syria's antiquities department.

'Barbarians' "More than 40 percent of Tal Ajaja was destroyed or ravaged by IS," added Khaled Ahmo, director of the antiquities department in Hasakeh. "The tunnels that were dug destroyed invaluable archeological strata" that would have revealed the economic, social and political history of the era, he told AFP. In IS's extreme interpretation of Islam, statues, idols and shrines amount to recognising objects of worship other than God and must be destroyed. But the group is also believed to have benefited from the trafficking of antiquities seized from sites under its control.

In 2014, photos emerged of sledgehammer-wielding jihadists destroying Assyrian statues from Tal Ajaja dating back to 2,000-1,000 BC. "These barbarians have burnt pages of Mesopotamia's history," said Abdulkarim. "In two or three months, they wiped out what would have required 50 years of archeological excavations," he added. In 2014, the antiquities department on its website published a series of photos of items from Tal Ajaja that had been destroyed, including cuneiform tablets and bas-relief depictions of the lamassu -- the famous winged Assyrian deity. The lamassu is a creature from Mesopotamian mythology, often depicted with a human head, the body of a lion or bull, and the wings of an eagle. Though traditionally considered protectors and placed outside temples to guard them, the lamassu of Tal Ajaja were unable to escape IS's ravages.

'Cultural cleansing' "IS turned the hilltop into a military zone," said local resident Khaled, who spoke on condition a pseudonym be used because he still fears IS might return. "No one was allowed to enter the site without authorisation," he added. "Hordes of armed men came in, along with traffickers of archeological objects," added another resident, Abu Ibrahim. Tal Ajaja was also known by the name Tal Araban in the Islamic era. But "even the upper strata dating back to that era were razed," said Ahmo. Abdulkarim said numerous artifacts from the site were smuggled to neighbouring Turkey and on to Europe, adding that he had alerted Interpol in a bid to retrieve some of the items. Since its rise in 2014, IS has ravaged numerous archaeological sites in Iraq, including the ancient Assyrian city of Nimrud, provoking outrage. The UN cultural organisation has described the jihadists' actions as "cultural cleansing".

In Syria, more than 900 monuments and archeological sites have been affected, damaged or destroyed by the regime, rebels or jihadists since the conflict began in March 2011, according to the Association for the Protection of Syrian Archeology. Among the worst incidents was the destruction by IS of temples in the famed ancient city of Palmyra, which provoked international outrage. Between 2014 and 2015, Syria's antiquities department moved some 300,000 objects and thousands of manuscripts from across Syria into storage in Damascus. But Abdulkarim has watched in horror as sites are laid waste by war and looters. "Our heritage is hemorrhaging."

© 1994-2016 Agence France-Presse http://artdaily.com/news/89351/At-ancient-Syria-site--IS-discovers-then-destroys-treasures-#.V6ixuKLN774

Thursday, August 4, 2016

Art Loss Register announces work with 100 auction houses

Last year the ALR helped in the recovery of this 18th century Aubusson tapestry which is of great national importance. The item was stolen in France in 1982 and identified at auction in 2015 by the Art Loss Register. The piece measures 4.3m by 2m, and it is estimated at £7,000-£9,000. After more than three decades it is now returned to its original home and hangs in a château in Normandy.

LONDON.- The Art Loss Register announced that, as of this week, they are working with 100 auction houses across the world who make use of their due diligence services. This represents an increase of 50% in the number of auction houses checking their catalogues with the Art Loss Register in the last three years, reflecting the growing importance for art market professionals to carry out checks and due diligence. The Art Loss Register’s scope is worldwide, with subscribers based in the UK, USA, France, Norway, Austria and Holland, and with growing numbers from Germany, Switzerland and Italy. There has been a noticeable increase in the number of smaller and regional auction house subscribers. The Art Loss Register checks 400,000 items offered on the international art market each year, the majority of which are in auction catalogues.

The key benefit for auction houses of searching items with the Art Loss Register is that it significantly reduces the risk of selling items that are stolen or subject to a claim, and the reputational and financial risks associated with this. For the victims of theft and insurers, the increase in the number of auction houses working with the Art Loss Register means that their chances of recovery are significantly improving. Last year alone, the Art Loss Register located stolen items ranging from artworks by Matisse, Picasso, Warhol, Keith Haring and Anish Kapoor, to Rolex watches, tribal art, English furniture and Roman antiquities in the sale catalogues of auction houses. James Ratcliffe, General Counsel and Director of Recoveries at the Art Loss Register said, “It is fantastic to see the huge increase in subscribing auction houses over the last three years. This is testament both to the hard work and skills of the whole team here at the ALR; and also the increasing recognition across the market of the need to carry out a recognised standard of due diligence on transactions. As a result, it is becoming more and more difficult for thieves to profit from the theft of art.”

The Art Loss Register, established in 1990 and based in London, is the world’s largest private database of stolen, missing and looted art, antiques and collectibles. The Art Loss Register also holds records of fakes and forgeries, items which are subject to a dispute, and items against which a loan has been secured. The Art Loss Register also offers a pre-loss registration service for museums and large permanent collections. There are currently half a million items listed on the database. The range of items is considerable and includes paintings, sculptures, antiquities, watches, clocks, jewellery, musical instruments, furniture, books and coins.

http://artdaily.com/news/89233/Art-Loss-Register-announces-work-with-100-auction-houses#.V6NiyqLN774